Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Charles Blechen
The Building of the Devil's Bridge

ID: 10848

Charles Blechen The Building of the Devil's Bridge
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Charles Blechen The Building of the Devil's Bridge


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Charles Blechen

1789-1840 German Charles Blechen Locations   Related Paintings of Charles Blechen :. | Monastery in the Wood | The Bay of Rapallo | The Building of Devil's Bridge | London: the Old Horse Guards and Banqueting Hall, from St James s Park cdc | The Ruins of the Septizonium on the Palatine in Rome |
Related Artists:
Julian Falat
Julian Falat, (30 July 1853 in Tuliglowy near Lwow - 9 July 1929 in Bystra Sląska) was one of the most prolific Polish painters of watercolor and one of the country's foremost landscape painters as well as one of the leading Polish impressionists. Falat first studied under Wladysław Luszczkiewicz at the Krakow School of Fine Arts, and then at the Art Academy of Munich. After several trips throughout Europe and Asia in 1885, Fałat compiled a collection of studies from his voyages which would become useful later in the development of his artwork. Themes typical of Fałat's painting are Polish landscapes, hunting scenes, portraits, and studies from his voyages. In 1886, Falat accepted an invitation from future German Emperor Wilhelm II to serve as court painter in Berlin. Falat died in Bystra Sląska on July 9, 1929. A museum in Poland, called Falatowka, is devoted to him. Out of his three children, Kazimierz (Togo) (1904-1981) continued to paint in watercolour.
Giuseppe de nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
Mulvany, John George
Irish, 1766-1838






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